Stories and Events

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Past

Doctoral Researchers Film Screening

Tuesday 24 May 2022, 17.00–20.00

Current

Graduate School Festival 2022

Monday 23 May – Friday 27 May 2022

Past

Geographies of Ruins in Contemporary Brazilian Cinema

Friday 20 May 2022, 15.00–18.00

Past

Launch of MIRAJ Ecologies Double Issue 10.1/2 and Landscape and the Moving Image by Catherine Elwes

Thursday 19 May 2022, 18.00–21.00

Past

Clay in Conversation 1: Vulnerability

Friday 29 April 2022, 16.00–18.00

Current

Mirror I am: Silver and Exact

Thursday 21 April – Saturday 11 June 2022

Past

Tessa Peters presents ‘Doing It Together! Public participation and performance within contemporary clay practice’

Friday 8 April 2022, 13.00–14.00

Past

PIX and the South Asian Imaginary

Wednesday 16 March 2022, 13.00

Current

Wild & Cultivated: Fashioning the Rose

Wednesday 16 March – Sunday 19 June 2022, 10.00–17.00

Current

Hyphen Journal Issue 3.1: Ecologies

2022

Past

Cloud Sediments

Wednesday 9 March – Sunday 13 March 2022, 12.00–19.00

Current

Prof. Shirley J. Thompson Performances March – July 2022

Wednesday 9 March – Saturday 16 July 2022

Past

INLAND, ISLAND

Thursday 3 March – Saturday 2 April 2022

Past

‘Eye Cut’ awarded Best Experimental Film at Toronto Women Film Festival 2022

Tuesday 1 March 2022

Past

Open Call: ‘Photographies’ 3rd International Conference

2022

Past

Visual Empire: Translations & Reproductions

Friday 18 February 2022, 08.30

Past

Decriminalised Futures

Wednesday 16 February – Sunday 22 May 2022

Past

No Happy Ending: Storytelling at the end of the world. Anna Tsing and Joshua Oppenheimer in conversation

Monday 14 February 2022, 18.00–19.30

Current

Visual Violence: Sex Workers’ Experiences of Image-Based Abuses

2022

Past

Kathmandu Triennale 2077

Friday 11 February – Thursday 31 March 2022

Past

Zhuang Wubin presents Photography and Southeast Asia: A Narrative of Experiences 

Wednesday 9 February 2022, 13.00

Past

Košice Seed Library: Seeds that Move

Wednesday 9 February – Sunday 27 March 2022

Past

Call for Papers: TV Londons

2022

Past

Intersectional Geographies – a group exhibition curated by Jacqueline Ennis Cole

Thursday 27 January – Sunday 3 April 2022

Past

British Art Show 9

Saturday 22 January – Sunday 10 April 2022

Past

Adapting Television Drama: Theory and Industry

2022

Past

Up Up Up

Wednesday 29 December 2021 – Sunday 17 April 2022

Current

Latin London Podcast

Tuesday 21 December 2021 – Wednesday 1 June 2022

Past

Style in Revolt

Thursday 16 December 2021 – Tuesday 1 March 2022

Past

Clothing the Pandemic

Thursday 16 December 2021 – Tuesday 1 March 2022

Past

Hyphen Journal Issue 3: Ecologies pre-launch

Tuesday 14 December 2021

Past

Yuxin Jiang in conversation with David Bate: Translating Photographies

Wednesday 8 December 2021, 13.00

Past

Behind the Artificial Intelligence Cameras

Monday 6 December 2021

Past

ICOM Clothing the Pandemic Conference

Wednesday 1 December 2021, 13.00–16.00

Past

Life Between Islands: Caribbean-British Art 1950s – Now

Wednesday 1 December 2021 – Sunday 3 April 2022

Past

Vulnerable Treatments

Friday 26 November – Sunday 28 November 2021

Past

Itinerant Imaginaries: Archival Disorientation #2 Film Screening

Monday 22 November 2021, 17.00–20.00

Past

Sunil Gupta and Roshini Kempadoo in conversation, From Here to Eternity: 35 years of Image Making

Tuesday 16 November 2021, 18.00–20.00

Past

Itinerant Imaginaries #2 – online seminar

Thursday 4 November – Monday 4 October 2021, 18.00–20.00

Past

Matca x C4 Journal: Conversations Around Photography, Vietnam & UK

2021 – 2022

Past

Order in Chaos: story-telling and editing in documentary film. Joshua Oppenheimer in conversation with award-winning editor Niels Pagh Andersen

Wednesday 3 November 2021, 18.00–19.30

Past

Falling Away

Friday 22 October – Saturday 20 November 2021

Past

Faith on Film: Assembly

Thursday 14 October 2021, 18.30

Past

Photography: Art Essentials

2021

Past

Fotocinema First International Congress: culture and visual memory

Wednesday 29 September – Friday 1 October 2021

Past

Siting Cinema (2021)

Saturday 25 September – Sunday 26 September 2021

Past

The impact and significance of Brian Belle-Fortune’s ‘All Crew Muss Big Up’, Dancecult Conference 2021

Thursday 16 September 2021, 14.30–15.30

Past

Methods and Mise-en Scene in Non-Fiction Cinema: Joshua Oppenheimer in Conversation with HONEYLAND directors, Tamara Kotevska and Ljubomir Stefanov

Tuesday 14 September 2021, 18.00

Past

Launch of MIRAJ Special Issue: “Artists’ Moving Image, Isolation and Covid-19”

Thursday 9 September 2021, 17.00–18.00

Past

Corona Haikus – visual peotry in times of isolation

Wednesday 1 September 2021 – Monday 3 January 2022

Past

Fragments of Epic Memory

Wednesday 1 September 2021 – Tuesday 1 February 2022

Past

Staging the Self in Nonfiction Cinema: Kirsten Johnson and Joshua Oppenheimer in conversation

Wednesday 14 July 2021, 18.00

Past

Bridging the Distance

Wednesday 23 June – Saturday 3 July 2021

Past

Itinerant Imaginaries: Creating Interference 2021

Monday 7 June – Tuesday 8 June 2021, 18.00–20.00

Past

‘How will we live together?’

Saturday 22 May – Sunday 21 November 2021

Past

La Biennale di Venezia 2021 and the V&A present ‘Three British Mosques’

Thursday 20 May – Sunday 21 November 2021

Past

displacement–assemblage

Monday 17 May – Friday 21 May 2021

Past

Undercover – From Necessity to Luxury: The Evolution of Face Coverings During COVID-19

Tuesday 11 May – Saturday 5 June 2021

Past

A History of Unnecessary Developments

Monday 19 April – Sunday 2 May 2021

Past

Tangible Territory: Issue 2

2021

Past

Drift: Art and Dark Matter

Tuesday 13 April – Friday 30 April 2021

Past

Call for Papers: Artist’s Moving Image, Ecology and Future Practices

2021

Past

A Tender Map/A Feminist Chorus

Thursday 1 April – Saturday 31 July 2021

Past

Tangible Territory: Issue 1

2020 – 2021

Past

CREAM News 31 / Winter 2020

2020

Past

Practical Aesthetics

2020

Past

Who Wants to Live Forever?

Thursday 17 September – Sunday 15 November 2020

Past

A screening of Not Reconciled and Breathing Still by Jill Daniels

Tuesday 21 January 2020, 17.00–20.00

Past

The Cinema of Lina Wertmüller

Friday 13 December 2019, 13.30–20.30

Past

Women of the Windrush Tell Their Stories

Friday 15 November 2019, 20.00–22.00

Past

Mitra Tabrizian: Gholam and other stories

Sunday 3 November 2019, 14.00–17.00

Past

CREAM News 30 / Winter 2019

2019

Past

Artists Moving Image in Britain since 1989

2019

Past

Invisible Men – An anthology from the Westminster Menswear Archive

Friday 25 October – Sunday 24 November 2019, 11.00–19.00

Past

Screening | Nuclear Hallucinations

Thursday 24 October 2019, 17.00–20.00

Past

Sidereal Sound, ‘Time Machines’ and ‘Baby Food’: The Recursive Turn in Coil’s Music from the 1990s

2019

Past

REBEL MUSIC: Sound Systems Culture The Story of Blues Parties in Southampton

Saturday 19 October – Friday 20 December 2019

Past

Salon 19: New Approaches In Photography

Friday 18 October – Saturday 26 October 2019

Past

Media Archaeology as Film Studies Method from Revisionist Film Histories to Interpretive Strategies

2019

Past

Women Artists, Feminism and the Moving Image – Book Launch

2019

Past

Street Directory

Friday 11 October – Sunday 20 October 2019

Past

THE DEATHLESS WOMAN

Sunday 6 October – Saturday 12 October 2019

Past

Music Migrations: From Stage to Screen

Friday 4 October 2019, 15.00–20.00

Past

CREAM, Westminster School of Arts and the Stuart Hall Foundation awarded a technē AHRC Collaborative Doctoral Studentship – Black Cultural Activism: Archives for Action

2019 – 2020

Past

Tito & Tita, Gym Lumbera and an Imagined Past

Monday 30 September 2019

Past

Makina Books, David Moore: The Lisa and John Slideshow – Book Launch

2019

Past

Chantal Akerman book launch and screening at the Regent Street Cinema

Tuesday 24 September 2019

Past

Cultural Icons: Remaking a popular pottery tradition

Saturday 14 September – Sunday 17 November 2019, 10.00–17.00

Past

Immersive Media, Virtual Reality and Radical Histories of Audiovision

2019

Past

CREAM News 29 / Summer 2019

2019

Past

Sankofa Whispers: Remembering, Reflecting and Reframing

Friday 28 June 2019, 18.30–20.30

Past

APERTURE: ASIA & PACIFIC FILM FESTIVAL – journeys in moving image through Asia & the Pacific

Tuesday 4 June – Thursday 13 June 2019

Past

Transactions: Imaging/Art/Science – Image Quality, Content & Aesthetics

Friday 26 April 2019, 08.45

Past

Hyphen

Friday 22 March – Wednesday 27 March 2019

Past

Blackout

Wednesday 13 March – Sunday 17 March 2019

CREAM News 28

Past

CREAM News 28 / Winter 2018

2018

Past

Bass Culture

Thursday 25 October 2018

Past

Julie Marsh, Assembly

Friday 5 October 2018

Past

CREAM News 27 / Summer 2018

2018

Past

Migrant Memories

2018

Past

Gholam

Friday 30 March 2018

Past

Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies

2018

Past

CREAM News 26 / Winter 2017

2017

Past

Clare Twomey, FACTORY: the seen and the unseen

Thursday 28 September – Sunday 8 October 2017

Past

CREAM News 25 / Summer 2017

2017

Past

Between Here and Then

Monday 3 July – Tuesday 4 July 2017

Past

Shezad Dawood, Leviathan

Sunday 7 May – Sunday 24 September 2017

Past

Acting in British Television

2017

Past

Contemporary Clay and Museum Culture

2016

Past

CREAM News 24 / Winter 2016

2016

Past

Shezad Dawood, Kalimpong

Friday 16 September – Saturday 22 October 2016

Past

CREAM News 23 / Summer 2016

2016

Past

In Process: An Exhibition of Media and Arts Doctoral Research

Thursday 10 December 2015 – Friday 8 January 2016

Past

CREAM News 22 / Winter 2015

2015

Past

CREAM News 21 / Spring 2015

2015

Past

CREAM News 20 / Winter 2014

2014

Past

CREAM News 19 / Summer 2014

2014

Past

CREAM News 15 / Summer 2012

2012

Past

CREAM News 13 / Summer 2011

2011

I-Docs: The Evolving Practices of Interactive Documentary