Stories and Events
Browse by:
Past
Doctoral Researchers Film Screening
Tuesday 24 May 2022, 17.00–20.00
Current
Graduate School Festival 2022
Monday 23 May – Friday 27 May 2022
Past
Geographies of Ruins in Contemporary Brazilian Cinema
Friday 20 May 2022, 15.00–18.00
Past
Launch of MIRAJ Ecologies Double Issue 10.1/2 and Landscape and the Moving Image by Catherine Elwes
Thursday 19 May 2022, 18.00–21.00
Past
Clay in Conversation 1: Vulnerability
Friday 29 April 2022, 16.00–18.00
Current
Mirror I am: Silver and Exact
Thursday 21 April – Saturday 11 June 2022
Past
Tessa Peters presents ‘Doing It Together! Public participation and performance within contemporary clay practice’
Friday 8 April 2022, 13.00–14.00
Past
PIX and the South Asian Imaginary
Wednesday 16 March 2022, 13.00
Current
Wild & Cultivated: Fashioning the Rose
Wednesday 16 March – Sunday 19 June 2022, 10.00–17.00
Current
Hyphen Journal Issue 3.1: Ecologies
2022
Past
Cloud Sediments
Wednesday 9 March – Sunday 13 March 2022, 12.00–19.00
Current
Prof. Shirley J. Thompson Performances March – July 2022
Wednesday 9 March – Saturday 16 July 2022
Past
INLAND, ISLAND
Thursday 3 March – Saturday 2 April 2022
Past
‘Eye Cut’ awarded Best Experimental Film at Toronto Women Film Festival 2022
Tuesday 1 March 2022
Past
Open Call: ‘Photographies’ 3rd International Conference
2022
Past
Visual Empire: Translations & Reproductions
Friday 18 February 2022, 08.30
Past
Decriminalised Futures
Wednesday 16 February – Sunday 22 May 2022
Past
No Happy Ending: Storytelling at the end of the world. Anna Tsing and Joshua Oppenheimer in conversation
Monday 14 February 2022, 18.00–19.30
Current
Visual Violence: Sex Workers’ Experiences of Image-Based Abuses
2022
Past
Kathmandu Triennale 2077
Friday 11 February – Thursday 31 March 2022
Past
Zhuang Wubin presents Photography and Southeast Asia: A Narrative of Experiences
Wednesday 9 February 2022, 13.00
Past
Košice Seed Library: Seeds that Move
Wednesday 9 February – Sunday 27 March 2022
Past
Call for Papers: TV Londons
2022
Past
Intersectional Geographies – a group exhibition curated by Jacqueline Ennis Cole
Thursday 27 January – Sunday 3 April 2022
Past
British Art Show 9
Saturday 22 January – Sunday 10 April 2022
Past
Adapting Television Drama: Theory and Industry
2022
Past
Up Up Up
Wednesday 29 December 2021 – Sunday 17 April 2022
Current
Latin London Podcast
Tuesday 21 December 2021 – Wednesday 1 June 2022
Past
Style in Revolt
Thursday 16 December 2021 – Tuesday 1 March 2022
Past
Clothing the Pandemic
Thursday 16 December 2021 – Tuesday 1 March 2022
Past
Hyphen Journal Issue 3: Ecologies pre-launch
Tuesday 14 December 2021
Past
Yuxin Jiang in conversation with David Bate: Translating Photographies
Wednesday 8 December 2021, 13.00
Past
Behind the Artificial Intelligence Cameras
Monday 6 December 2021
Past
ICOM Clothing the Pandemic Conference
Wednesday 1 December 2021, 13.00–16.00
Past
Life Between Islands: Caribbean-British Art 1950s – Now
Wednesday 1 December 2021 – Sunday 3 April 2022
Past
Vulnerable Treatments
Friday 26 November – Sunday 28 November 2021
Past
Itinerant Imaginaries: Archival Disorientation #2 Film Screening
Monday 22 November 2021, 17.00–20.00
Past
Sunil Gupta and Roshini Kempadoo in conversation, From Here to Eternity: 35 years of Image Making
Tuesday 16 November 2021, 18.00–20.00
Past
Itinerant Imaginaries #2 – online seminar
Thursday 4 November – Monday 4 October 2021, 18.00–20.00
Past
Matca x C4 Journal: Conversations Around Photography, Vietnam & UK
2021 – 2022
Past
Order in Chaos: story-telling and editing in documentary film. Joshua Oppenheimer in conversation with award-winning editor Niels Pagh Andersen
Wednesday 3 November 2021, 18.00–19.30
Past
Falling Away
Friday 22 October – Saturday 20 November 2021
Past
Faith on Film: Assembly
Thursday 14 October 2021, 18.30
Past
Photography: Art Essentials
2021
Past
Fotocinema First International Congress: culture and visual memory
Wednesday 29 September – Friday 1 October 2021
Past
Siting Cinema (2021)
Saturday 25 September – Sunday 26 September 2021
Past
The impact and significance of Brian Belle-Fortune’s ‘All Crew Muss Big Up’, Dancecult Conference 2021
Thursday 16 September 2021, 14.30–15.30
Past
Methods and Mise-en Scene in Non-Fiction Cinema: Joshua Oppenheimer in Conversation with HONEYLAND directors, Tamara Kotevska and Ljubomir Stefanov
Tuesday 14 September 2021, 18.00
Past
Launch of MIRAJ Special Issue: “Artists’ Moving Image, Isolation and Covid-19”
Thursday 9 September 2021, 17.00–18.00
Past
Corona Haikus – visual peotry in times of isolation
Wednesday 1 September 2021 – Monday 3 January 2022
Past
Fragments of Epic Memory
Wednesday 1 September 2021 – Tuesday 1 February 2022
Past
Staging the Self in Nonfiction Cinema: Kirsten Johnson and Joshua Oppenheimer in conversation
Wednesday 14 July 2021, 18.00
Past
Bridging the Distance
Wednesday 23 June – Saturday 3 July 2021
Past
Itinerant Imaginaries: Creating Interference 2021
Monday 7 June – Tuesday 8 June 2021, 18.00–20.00
Past
‘How will we live together?’
Saturday 22 May – Sunday 21 November 2021
Past
La Biennale di Venezia 2021 and the V&A present ‘Three British Mosques’
Thursday 20 May – Sunday 21 November 2021
Past
displacement–assemblage
Monday 17 May – Friday 21 May 2021
Past
Undercover – From Necessity to Luxury: The Evolution of Face Coverings During COVID-19
Tuesday 11 May – Saturday 5 June 2021
Past
A History of Unnecessary Developments
Monday 19 April – Sunday 2 May 2021
Past
Tangible Territory: Issue 2
2021
Past
Drift: Art and Dark Matter
Tuesday 13 April – Friday 30 April 2021
Past
Call for Papers: Artist’s Moving Image, Ecology and Future Practices
2021
Past
A Tender Map/A Feminist Chorus
Thursday 1 April – Saturday 31 July 2021
Past
CREAM FUTURES #2 & #3
Thursday 25 March 2021, 16.30–18.30
Past
Tangible Territory: Issue 1
2020 – 2021
Past
CREAM News 31 / Winter 2020
2020
Past
Practical Aesthetics
2020
Past
Who Wants to Live Forever?
Thursday 17 September – Sunday 15 November 2020
Past
A screening of Not Reconciled and Breathing Still by Jill Daniels
Tuesday 21 January 2020, 17.00–20.00
Past
The Cinema of Lina Wertmüller
Friday 13 December 2019, 13.30–20.30
Past
Women of the Windrush Tell Their Stories
Friday 15 November 2019, 20.00–22.00
Past
Mitra Tabrizian: Gholam and other stories
Sunday 3 November 2019, 14.00–17.00
Past
CREAM News 30 / Winter 2019
2019
Past
Artists Moving Image in Britain since 1989
2019
Past
Invisible Men – An anthology from the Westminster Menswear Archive
Friday 25 October – Sunday 24 November 2019, 11.00–19.00
Past
Screening | Nuclear Hallucinations
Thursday 24 October 2019, 17.00–20.00
Past
Sidereal Sound, ‘Time Machines’ and ‘Baby Food’: The Recursive Turn in Coil’s Music from the 1990s
2019
Past
REBEL MUSIC: Sound Systems Culture The Story of Blues Parties in Southampton
Saturday 19 October – Friday 20 December 2019
Past
Salon 19: New Approaches In Photography
Friday 18 October – Saturday 26 October 2019
Past
Media Archaeology as Film Studies Method from Revisionist Film Histories to Interpretive Strategies
2019
Past
Women Artists, Feminism and the Moving Image – Book Launch
2019
Past
Street Directory
Friday 11 October – Sunday 20 October 2019
Past
THE DEATHLESS WOMAN
Sunday 6 October – Saturday 12 October 2019
Past
Music Migrations: From Stage to Screen
Friday 4 October 2019, 15.00–20.00
Past
CREAM, Westminster School of Arts and the Stuart Hall Foundation awarded a technē AHRC Collaborative Doctoral Studentship – Black Cultural Activism: Archives for Action
2019 – 2020
Past
Tito & Tita, Gym Lumbera and an Imagined Past
Monday 30 September 2019
Past
Makina Books, David Moore: The Lisa and John Slideshow – Book Launch
2019
Past
Chantal Akerman book launch and screening at the Regent Street Cinema
Tuesday 24 September 2019
Past
Cultural Icons: Remaking a popular pottery tradition
Saturday 14 September – Sunday 17 November 2019, 10.00–17.00
Past
Immersive Media, Virtual Reality and Radical Histories of Audiovision
2019
Past
CREAM News 29 / Summer 2019
2019
Past
Sankofa Whispers: Remembering, Reflecting and Reframing
Friday 28 June 2019, 18.30–20.30
Past
APERTURE: ASIA & PACIFIC FILM FESTIVAL – journeys in moving image through Asia & the Pacific
Tuesday 4 June – Thursday 13 June 2019
Past
Transactions: Imaging/Art/Science – Image Quality, Content & Aesthetics
Friday 26 April 2019, 08.45
Past
Hyphen
Friday 22 March – Wednesday 27 March 2019
Past
Blackout
Wednesday 13 March – Sunday 17 March 2019
Past
CREAM News 28 / Winter 2018
2018
Past
Bass Culture
Thursday 25 October 2018
Past
Julie Marsh, Assembly
Friday 5 October 2018
Past
CREAM News 27 / Summer 2018
2018
Past
Migrant Memories
2018
Past
Creating Interference
Tuesday 19 June 2018
Past
Gholam
Friday 30 March 2018
Past
Guerrilla Networks: An Anarchaeology of 1970s Radical Media Ecologies
2018
Past
CREAM News 26 / Winter 2017
2017
Past
Clare Twomey, FACTORY: the seen and the unseen
Thursday 28 September – Sunday 8 October 2017
Past
CREAM News 25 / Summer 2017
2017
Past
Between Here and Then
Monday 3 July – Tuesday 4 July 2017
Past
Shezad Dawood, Leviathan
Sunday 7 May – Sunday 24 September 2017
Past
Acting in British Television
2017
Past
Contemporary Clay and Museum Culture
2016
Past
CREAM News 24 / Winter 2016
2016
Past
Shezad Dawood, Kalimpong
Friday 16 September – Saturday 22 October 2016
Past
CREAM News 23 / Summer 2016
2016
Past
In Process: An Exhibition of Media and Arts Doctoral Research
Thursday 10 December 2015 – Friday 8 January 2016
Past
CREAM News 22 / Winter 2015
2015
Past
CREAM News 21 / Spring 2015
2015
Past
CREAM News 20 / Winter 2014
2014
Past
CREAM News 19 / Summer 2014
2014
Past
CREAM News 15 / Summer 2012
2012
Past
CREAM News 13 / Summer 2011
2011
I-Docs: The Evolving Practices of Interactive Documentary