Autumn 2020 sees the first issue of Tangible Territory journal. This transdisciplinary journal celebrates the creative power process and ongoing collective learning and improving, sharing, collaboration, curiosity, and open-mindedness. Issue 1 contains contributions from Václav Cílek, Lucy Lyons, Daniel & Clara, Rob Kaplowitz, Gabriel Josipovici, Johanna Gibbons, Steve J Fowler, Rosalyn Driscoll, Roberto Trotta, Charles […]
Drift: Art and Dark Matter is an artist residency and exhibition project developed with the Arthur B. McDonald Canadian Astroparticle Physics Research Institute and the 2015 Nobel prize winning SNOLAB. For this project CREAM PhD candidate Jol Thoms along with artists Nadia Lichtig, Josèfa Ntjam, and Anne Riley have been invited to make new work […]
Private View: Thursday 21 October 2021, 18:30 – 20:30 The exhibition Falling Away brings together Catherine Yass’s vertiginous film installations at Ambika P3. The first retrospective of the artist’s extensive body of film work, it spans the past two decades and includes a new work made in response to the impact of COVID-19 and global […]
Anti-racism and discrimination knowledge work for CREAM as an internationally recognised research centre Join us for 2 workshops convened by international artists/critics, Diane Roberts and Chris Creighton-Kelly Dates: March 25th & May 27th 2021 – Time: 4:30-6:30pm CREAM FUTURES # 2 March 25th – Unravelling Legacies – Seeking New Ways of Knowing (with Diane Roberts) […]
‘A history of Unnecessary Developments’ an exhibition by Tereza Stehlikova and SJ Fowler. A long form collaboration between the artist-filmmaker Tereza Stehlikova and artist-poet SJ Fowler takes shape in an exhibition of experimental documentary, found sculpture and abstract writing. Exploring, recording and revealing the environs of industrial West London, this exhibition creates a temporary shrine […]
An Atlas of Chronographic Things A Deep Field Research Project: Featuring work of Diann Bauer, Jol Thoms and Neal White Catalogue available here The Deep Field Project has been working alongside CREAM Visiting Research Fellow Stefanie Hessler on a long term research project that recently launched as part of the exhibition ‘Who Wants to Live […]
“What matters is creating relevant forms of togetherness between practices, both scientific and non-scientific; finding relevant ways of thinking together” (Stengers, I. Another Science Is Possible, 2018. P.145). We are interested in exploring ingenuitive approaches to creative artistic-research by engaging with the challenges of interdisciplinary education through use of innovative materials, situated seminars, creative workshops […]
The Assembly was organised by The Deep Field Project in partnership with Arts Catalyst, non-profit contemporary arts organisation that commissions and produces transdisciplinary art and research. The event brought together artists, academics, activists and human rights experts to collectively explore the politics of extraction across the globe and the role that its operations play on […]
Organised and led by Arts Catalyst with Nicola Triscott and Neal White at University of Westminster. Together with artists, scientists and thinkers interested in re-imagining social, artistic and scientific research as a bottom-up community-led approach, particularly in relation to planetary health, the day explored the complex, interdependent relationship between the health of the planet and […]
Earth Lab : An Investigation of Earth as a Laboratory. 30 September 2017 Coordinated by Neal White and John Beck, and led by independent curator Dr Rob La Frenais, this colloquium brought together International artists, inventors and thinkers who re-imagine Earth, sea and sky from a bottom-up, post-anthropocenic position, in a wide-ranging, broad-brushstroke survey of […]