Ceramics Research Centre UK is pleased to invite you to the fifth in their Clay in Conversation series; DIFFERENCE with Sam Lucas and Laura Johanna König, chaired by Tessa Peters and curated by Julia Ellen Lancaster. This is an ‘in person’ event held at Fyvie Hall, University of Westminster, Regent Street, W1B 2HW on Friday 22nd September, 5-7pm. Please do […]
Living Archives Episode 3: Jacob V Joyce & Roshini Kempadoo Listen to Roshini Kempadoo in conversation with fellow artist and CREAM PhD researcher, Jacob V Joyce, in the latest podcast episode of Living Archives, an oral histories project co-produced by the Stuart Hall Foundation and the International Curators Forum. Hosted by ICF Deputy Artistic Director Jessica Taylor, Living Archives […]
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Matthias Kispert will present his paper ‘Representing Digital Platform Work through Delegate Performance’ at the conference Images at Work: Labour and the Moving Image at King’s College, London, on 23 June. The conference builds on the long-established political history and theory around labour – especially that associated with German critical thought, such as the work of Karl Marx, […]
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A long table discussion in person/online on artmaking and historical narratives with thinkers/makers providing speculative interventions. This iteration of Creating Interference/Itinerant Imaginaries will be online and at Portland Hall, University of Westminster. 4-12 Little Titchfield Street London W1W 7BY on Tuesday 27 June, 14:00 – 17:30 BST. Artists have consistently been at the forefront of challenging […]
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Psyche Abandoned is a 17 minute film, written, filmed and edited by Jane Thorburn and narrated by Juliet Stevenson. The screening is for an audience of local people and groups interested in the history and architecture of The Crystal Palace and its sculptures. The film tells the story of how a moment in the life of a young […]
CREAM PhD researcher, John van Aitken will be presenting his paper, ‘Framing Creative Destruction: Shirley Baker, Slum Clearance, and the Humanist Imaginary’ at the next conference for Urban Modernisation and Representations of the Working Class at the University of Salford. John van Aitken’s paper explores the visual culture of creative destruction through Shirley Baker’s photographs of 1960s Salford. […]
Memoryscapes is a solo exhibition by the German artist Ursula Schulz-Dornburg at the Large Glass, realised in collaboration with CREAM PhD researcher and writer, Lucy Rogers. After four decades of field research in remote or overlooked parts of the world, Ursula Schulz-Dornburg ceased making photographs. Reflecting the lands in which she has travelled, her archive reveals […]
Connected Creativity is an exhibition that marks the beginning of a collaboration between creative practitioners from both sides of the Atlantic. It features the work of four artists – Jonathon Anderson, Alyssa Bistonath, Shezad Dawood and Julie Marsh – who are engaged in practice-based research as a means of exploring critical and innovative approaches to their craft. […]
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Julie Marsh’s exhibition Virtual Assembly is a virtual space and archive for Old Kent Road Mosque and MANUK (Muslim Association of Nigeria UK) in response to the demolition and redevelopment of their mosque. This interactive model has been built in collaboration with David Scott and Florian Koenig from the Fabrication Lab and acts as an experiential archive, providing innovative […]
What role has the photographic darkroom played in the histories of photography and visual culture? How has this space, at times known as the camera obscura, developing room, laboratory, operating room, operating box, darkened chamber, photographic tent, dark tent, and developing tent, shaped ways of living and knowing? Historical accounts of the wet darkroom are […]