In 2021, Martin Parr Foundation held an open call for a UK-based curator to present a photographic exhibition in the MPF gallery and Jacqueline Ennis-Cole has been selected for her proposed group show, Intersectional Geographies. Intersectional Geographies brings together a diverse selection of photographers whose works address inclusion within society at a time of climate […]
Read More… from Intersectional Geographies – a group exhibition curated by Jacqueline Ennis Cole
Weekend 25th & 26th September Siting Cinema will be performed in the auditorium at Regent Street Cinema before each film screening. Siting Cinema is a research project that explores the cinema space as site through a film installation made and performed in Regent Street Cinema. The project is led by artist Julie Marsh, a researcher at CREAM (Centre for Research and […]
Fragments of Epic Memory at the Art Gallery Ontario, Toronto, Canada hosts a major exhibition exploring the art and legacy of the Caribbean. The exhibition invites visitors to experience the multiple ways of encountering the Caribbean and its diaspora, from the period following emancipation through today. The first exhibition organized by the AGO’s new Department […]
The Deep Field Project supports a range of research activity in the field as well as the studio. Our researchers are engaged with knowledge-led approaches to groundwork – the planning stage of field research – and we aim to support and develop processes for collaborative and interdisciplinary project planning and study. This allows us to […]
In the fifth year of collaboration, La Biennale di Venezia and the V&A present ‘Three British Mosques’. Responding to the theme ‘How will we live together?’ set by Lebanese architect Hashim Sarkis, the 2021 display explores contemporary multiculturalism through three adapted mosque spaces in London, whose stories are told within the setting of a pavilion installation. […]
Read More… from La Biennale di Venezia 2021 and the V&A present ‘Three British Mosques’
Neal White (CREAM) and Monsoon Assemblages (Architecture) at The Central Pavilion of the Giardini – Venice Biennale of Architecture – Opening May 22nd 2021. Neal White (artist/researcher based in CREAM), working with Office of Experiments was invited by Monsoon Assemblages (School of Architecture and Cities) to collaborate on a new work at Venice Biennale of […]
Tangible Territory journal launches a second issue. Issue 2 contains contributions from Deborah Levy, Kim Arazi, Kaye Winwood, Ophelia Deroy, Geneviéve Sicotte, Jan Švankmajer, Krzysztof Fijalkowski, David Spittle, Vlad Vexler, Alexa Wright and Tereza Stehlíková, Václav Cílek, Chiara Ambrosio, Sally Augustin and an interview with William Kentridge. Tangible Territory is a platform that offers a […]
A Creating Interference is association with CREAM and British Art Network (BAN) present the two-day online seminar series Itinerant Imaginaries, 7-8 June 2021. How can archival experimentation help us contend with, question and interrogate the narrative the nation tells about itself through the work of black artists and artists of colour in Britain? These online […]
Read More… from Itinerant Imaginaries: Creating Interference 2021
Autumn 2020 sees the first issue of Tangible Territory journal. This transdisciplinary journal celebrates the creative power process and ongoing collective learning and improving, sharing, collaboration, curiosity, and open-mindedness. Issue 1 contains contributions from Václav Cílek, Lucy Lyons, Daniel & Clara, Rob Kaplowitz, Gabriel Josipovici, Johanna Gibbons, Steve J Fowler, Rosalyn Driscoll, Roberto Trotta, Charles […]
Drift: Art and Dark Matter is an artist residency and exhibition project developed with the Arthur B. McDonald Canadian Astroparticle Physics Research Institute and the 2015 Nobel prize winning SNOLAB. For this project CREAM PhD candidate Jol Thoms along with artists Nadia Lichtig, Josèfa Ntjam, and Anne Riley have been invited to make new work […]