Chris’ research is concerned with the role of accelerated culture in global youth scenes and subcultures, especially electronic dance music. He carried out his PhD thesis, Renegade Hardware: Speed, Technology and Cultural Practice in Drum ‘n’ Bass Music, between 2005 and 2009. He is also a researcher on the Bass Culture project; a three-year Arts Council England-funded research project involving Goldsmiths University and the University of Westminster, whose key aim is to examine the impact of Jamaican and Jamaican-influenced music on British culture.
Additionally, Chris is the Course Leader of the BA (Hons) Contemporary Media Practice (CMP) course at the University of Westminster. BA CMP has a specialist interdisciplinary focus and is one of the longest-running undergraduate media courses in the UK. He is interested in contemporary fan communities based on the collecting of obsolete and residual media.
For further information on Chris’ research, supervision and teaching experience also see: