Kay Min’s practice as a writer and researcher appropriates and rearranges historical, forgotten, or fictively reconstructed source material into alternative curatorial forms, from exhibitions to experimental publishing. Oriented around postwar Southeast Asian political ecologies and its intersections with elemental aesthetics, their doctoral research at CREAM probes the potential of “weather as witness” — as both method and form — to elucidate different geopolitical imaginings of Southeast Asia. Kay Min was previously research associate at the School of Art, Design, and Media in Nanyang Technological University, Singapore, and assistant curator for the 17^th Istanbul Biennial (2022) co-curated by Ute Meta Bauer, Amar Kanwar, and David Teh. They participated in the 7^th Singapore Biennale (2022–23) as part of AWKNDAFFR, a periodic platform for gatherings of various kinds initiated together with artist Wayne WJ. Lim in 2018.