Bisan Abu Eisheh, Breathing Archives: On Art and Decolonial Discourse in Palestine
Andreia Alves de Oliveira, The Politics of the Office: Space, Power, and Photography (www.andreiaoliveira.net / riverboatsinnerthoughts)
Silvia Angeli, Catholicism in Italian cinema in the age of ‘the new secularisation’ (1958-1978)
Barby Asante
Swati Bakshi
Diann Bauer
Fotios Begklis, Grand Tour – a film in-debt(ed): Exploring the possibilities of the essayistic filmmaking form.
Pryle Behrman, An Entanglement of Meanings: a study of curation, location and temporality in contemporary art fairs
Indranil Bhattacharya, The Digital Turn in Indian Film Sound: Ontologies and Aesthetics
Estéfani Bouza, Taming Contingency: Photography at the Crossroads between Collections, Archives and Atlases
Adina Bradeanu
Zoe Butt
Gilbert Calleja, Ethnography and experimental non-fiction storytelling: relating the experiences of Maltese Fishermen(www.gilbertcalleja.com)
Patrick F. Campos, Topologies of regional cinema : Philippine, Mindanaon, and Southeast Asian films
Guilherme Carrera, Amid the debris: ruins of underdevelopment in contemporary Brazilian documentary
Ranita Chatterjee, Journeys in and beyond the city : cinema in Calcutta, 1897-1939
Federica Chiocchetti, Photo-Texts: Critical Intersections in History
George Clark, Offerings for a ghost film: From fragmented work to cosmic assemblages (georgeandclark.com)
Cinzia Cremona, Intimations : videoperformance and relationality
Stuart Cumberland, Sensible Signs: Pictures and Not Painting After Conceptual Art
Aurogeeta Das, Exploring traditional and metropolitan Indian arts using the Muggu tradition as a case study
Nina Danino, Experimental Film – Catholic and Feminist Readings of my film 2010-2016 (ninadanino.com)
Su Fahy, Photography,memory and the archaeology of knowledgecontained in the family archive
Ana Janeiro Fernandes, Gazing at the family: archives, performance and Portuguese photography (1940-1975)
Layal Ftouni
Iram Ghufran, Situating documentary film in a speculative future: an
exploration in multispecies entanglements
Sue Goldschmidt, Aramaic Incantation Bowls and Contemporary Ceramic Art Practice
Paula Gortazar, Transitional Frames: From Normalisation to Democracy Czech and Slovak Art Photography (1968-1998) (www.paulagortazar.com)
Sunil Gupta, “Queer Migrations” (www.sunilgupta.net)
Alasdair Hopwood, Misinformation as material : towards the use of cognitive psychology as a research tool for artists
Marine Hugonnier, Mapping the Politics of Vision: searching for a transformative gaze
monika jaeckel, agency is molecular: moved by being moved to moving or co-constitution in intra-active knowledge production (www.aim.mindgap.org/)
Alexandra Jonsson, The Body Politics of Data
Matthias Kispert, Clouds of discontent: art, work, solidarity and digital platform labour
Ralph Klewitz, Potentials and limitations of language in observing and interpreting art
Côme Ledésert, I IS ANOTHER: The fabulative filmic collaboration with someone recovering from addiction
Miranda Pennell, Film as an Archive for Colonial Photographs
Barbara Matas Moris, The Politics of Self-Representation
Michael Mazière, Testing the Curatorial in Artists’ Film and Video Installation
Georgina Mind, Women and the Practice of Studio Portraiture in Britain 1888-1914: Politics, commerce and constructions of femininity
Haley Morris-Cafiero, Reversing the Weapons: Recuperating the marginalised body with performative photography
Roz Mortimer, Ghosts, Imagination and Theatre: re-enacting the futural past through documentary film(wonder-dog.co.uk / thedeathlesswoman.com)
Sarah Niazi, Cinema and the Urdu Public Sphere: Literary imaginaries in the making of film cultures in north India (1930-50)
mirko nikolic, minoritarian ecologies: performance before a more-than-human world
Fathima Nizaruddin, Nuclear hallucinations: creating the vantage point of tamasha through the use of comic modes and irony in order to destabilise the authoritarian knowledge claims of Indian pro-nuclear documentaries
Treasa O’Brien, Town of Strangers: The Performative ‘Making-of’ Film and the Production of Reality
Sunyoung Oh, Curating Arts on the Edge of an Unstable Society
Jose Paulo, Public Service Broadcasting and the Construction of the Angolan Nation: Audiences’ perceptions of News at 8pm and Muangolé José Paulo
Alejandra Perez, Hacking Antarctica
Ingrid Pollard, Home and Away: Home, Migrancy, and Belonging Through Landscape Photographic Practice (ingridpollard.com)
Bhavna Rajpal
Jini Rawlings, Dis-locations and Broken Narratives: articulating liminal and interstitial experiences through a series of moving image and mixed media installations
Paul Richards, Facebook Idio-Culture: How Personalisation Puts the ‘Me’ in Social Media
William Saunders
Kerstin Schroedinger
Valentina Signorelli, Cinematic infernos: Digital technologies and the remediation of Dante’s Infernal imagery through the cinematic screen (2005- 2015)
Arne Sjögen, Diving: using fiction narrative and intermedial assemblage to understand family histories in colonial India between 1933-1947
Steve Smith, Finding the material of memory : sketch for a palimpsest
Deniz Sözen, The Art of Un-belonging
Jelena Stojkovic, Out of sight : surrealism and photography in 1930s Japan
Zahed Taj-Eddin, Egyptian faience: ancient making methods and consideration of technical challenges in sculptural practice
Steve Tanza, The Emergent City (2007- 2017): Artistic explorations of the control and the ethics of data
Nicola Triscott, Art and Intervention in the Stewardship of the Planetary Commons: Towards a Curatorial Model of Co-inquiry
Clare Twomey, Ceramics Collections: exploring object engagement beyond the known historic models of clay practice
Vita Upeniece, The Representation of the Violated Body and its Spectatorship: the Negative Approach (1970s to 2016)
Francesco Arese Visconti, Re-thinking Photographic Portraiture of 21st Century Italian Migrants in the Arc Lemanique Area
Lucas Guingue Valencia, A social history of a so-called “Golden Age” of music industrialization: production in Colombian recording and sound technology industries, 1949-1963
Ruth West, Dataremix: Aesthetic Experiences of Big Data and Data Abstraction
Adrian York, Transforming musical performance: activating the audience as digital collaborators
Camille Waring
Tianqi Kiki Yu
Wubin Zhuang, Documenting as Method: Photography in Southeast Asia
Cecilia Zoppelletto, Colonisation Through ‘Development Films’: Constructing And Re-Constructing The Zairian Spirit On Film
This page is in development. Alumni are encouraged to contact info@cream.ac.uk to add or update their details.