Regine Rapp is an art historian, curator, and co-director of Art Laboratory Berlin. Her research, curatorial, and publishing work explores 21st-century art at the intersections of science and technology, most recently through her research project Hybrid Art Histories. From March 2024 to August 2025, she was Guest Professor for Art & Science at the Art Academy Münster, teaching Hybrid Art. She has conceived international conferences including Nonhuman Agents (2017), Under the Viral Shadow. Networks in the Age of Technoscience and Infection (2021), and Chrysalis. Artists in Labs (2026). Her book publications include MATTER OF FLUX. Art, Biopolitics and Networks with Care (2024). Recent published papers: Rapp, R. (2024b) ‘Hybrid Art Histories’, in B. Kleine-Benne (ed.) Eine Kunstgeschichte ist keine Kunstgeschichte. Kunstwissenschaftliche Perspektivierungen in Text und Bild [An Art History Is Not an Art History: Art-Historical Perspectives in Text and Image]. Berlin: Logos, pp. 241-259; Rapp, R. and de Lutz, C. (2024) ‘Duelling Epistemologies: How Artists Hack Laboratories and Alter the Futures of Science’, in J. Velasco and K. Weber (eds.), Bio-Art: Varieties of the Living in Artworks from the Pre-modern to the Anthropocene. Bielefeld: transcript, pp. 181–203. // In her PhD by Published Work, Hybrid Art Histories, she establishes Hybrid Art as both a contemporary art-historical genre and a curatorial methodology at the intersections of art, science, and technology.