William Saunders
Will Saunders has developed a practice-led exploration into what he has seen as the queer compositionism of American composer and instrument builder Harry Partch. The project is traced through Saunders‘ hauntological approach when contributing musically to experimental theatre works and, specifically, his improvised performances with musicians Sarah Kenchington and Anna Homler. The video documentation shows Kenchington and Saunders performing together in June 2017 at the Centre for Contemporary Art, Glasgow. This was a key stage in Saunder‘s research at CREAM and he is currently writing up the intricate process that led to it.
Video documentation with instrument builder Sarah Kenchhington at: https://vimeo.com/221871380
More PhD Students
- → Bisan Abu Eisheh
- → Verónica Posada
- → Pablo Antoli
- → Barby Asante
- → Karin Bareman
- → Diann Bauer
- → Pryle Behrman
- → Gilbert Calleja
- → Guilherme Carrera
- → George Clark
- → Iram Ghufram
- → Sue Goldschmidt
- → Sunil Gupta
- → Monika Jaeckel
- → Ana Janeiro
- → Matthias Kispert
- → David Leahy
- → Trenton Lee
- → Barbara Matas Moris
- → Sarah Niazi
- → Sunyoung Oh
- → Andreia Alves de Oliveira
- → Catherine Roche
- → William Saunders
- → Arne Sjögren
- → Deniz Sözen
- → Jol Thomson
- → Francesco Visconti
- → Camille Waring
Doctoral Programme
The CREAM doctoral programme hosts a thriving international community of researchers exploring issues in art and design, film, photography, moving image, ceramics, cultural studies, art and technology/science, and music.